Melanie R. Rodgers, violist, violinist, music educator and music therapist, is a graduate of the University of Cincinnati College Conservatory of Music, with a degree in viola performance and music education.
Melanie’s career has been a blending of her passions; performing, teaching, and especially providing music as a means for therapeutic and spiritual purposes. As an orchestra musician, she performed in the viola sections of orchestras in the Northern and Southeastern United States including the West Virginia Symphony and her native Pittsburgh with The Pittsburgh Ballet and Opera Orchestra. Since moving to Birmingham in 1991, Melanie has been a substitute violist with The Alabama Symphony. For six seasons, she served as principle violist of The Huntsville Symphony, and through the years has contributed to the viola sections of the Chatanooga, Tuscaloosa, Gadsden, and Montgomery Symphonies.
Melanie’s thirty- five years of teaching experience ranges from private violin and viola instruction using Suzuki and Traditional methods to public and private school string classes of violin, viola and cello students. She enjoys presenting workshops in styles of fiddling; mostly Celtic and Bluegrass. During her seventeen years as faculty member of The Birmingham Southern Conservatory of Fine and Performing Arts, Melanie has taught music theory and pre- school( Moppets) music classes, and incorporated introductory violin classes into general music classes of several local schools. Her private teaching studio has included violin and viola students ranging from 4 years old to retirees learning to fiddle. Melanie considers working with students and their families as one of the true blessings and privileges of her life.
Merging lifelong interests of psychology and music’s powerful influence on human behavior, Melanie completed a two year course of study at the University of Alabama and became a board certified music therapist in 1999.
Living in Birmingham with her husband John and dog, Buddy, Melanie loves being part of this city’s vibrant musical community. This provides her the joyful opportunity of performing a wide range of musical styles with bands she loves including String Theory, Shades Mountain Air, Shelter in the Wreckage, local praise and worship bands, and Nouveau Reinhardt.
Meredith Treaster joined the viola section of Alabama Symphony Orchestra in December 2015. Originally from Santa Fe, New Mexico, she attended the Walnut Hill School for the Arts in Massachusetts as well as the New England Conservatory Preparatory School. At age sixteen, she performed Brahms Piano Quintet at Carnegie Hall with her quartet and renowned pianist Hae-Sun Paik. Since then, she has become equally devoted to her passions for chamber and contemporary music. She has given chamber concerts across the United States, recent highlights including the George Perle Centennial Celebration and the closing performance of Juilliard’s 2015 ChamberFest. An avid performer of new music, Meredith performed frequently as principal violist with AXIOM and the New Juilliard Ensemble. She has also premiered and recorded several new works in New York City and at the Aspen Music Festival. As a soloist with the New Juilliard Ensemble, Meredith was hailed by the New York Times as “soulful yet refined” and “appropriately rough and folksy” for her New York premiere of Donald Crockett’s to airy thinness beat at the Museum of Modern Art, and as “excellent” for her performance of John Woolrich’s Envoi in Alice Tully Hall. Meredith gave a repeat performance of Crockett’s work a year later with Musica Nova at the University of Missouri Kansas City.
Meredith was a Fellow at the Tanglewood Music Center in 2015, and has attended the Aspen Music Festival eight times, where she served as principal and mentor for the Aspen Concert and Philharmonic orchestras, and as a Fellowship recipient in the Aspen Chamber Symphony. Meredith was the event coordinator for the Weill Cornell Music and Medicine Initiative, organizing symposiums at Juilliard as well as hospital outreach performances for the terminally ill.
Meredith has been the principal violist of numerous orchestras including the Juilliard Orchestra, Juilliard Lab Orchestra, New Juilliard Ensemble, Aspen Concert Orchestra, and Aspen Philharmonic Orchestra, also serving as a substitute violist for the New World Symphony in Miami. She has performed regularly in venues including Alice Tully Hall, Avery Fisher Hall, Carnegie Hall, and Jordan Hall. Meredith received her Bachelor of Music and Master of Music degrees at Juilliard as a student of Misha Amory and Masao Kawasaki. She has taught viola classes in the NYC public schools and Success Academy charter schools, and substitute taught at Santa Fe Talent Education Suzuki Music Center.
Rene Reder, Viola and Violin, joined the Alabama Symphony in 2004. She was born and raised in Tacoma Washington, where she attended the University of Puget Sound, earning her Bachelor’s Degree in music. She then studied at Temple University in Philadelphia, receiving her Masters of Music Degree and Performance Diploma. Music has taken her to a handful of beautiful and interesting places including Colorado, Florida, Pennsylvania, South Carolina, Puerto Rico, Europe, Israel, and Argentina. In 2001, after three years in the New World Symphony, Rene won a position with the Florida Philharmonic Orchestra, where she played until 2003. In June 2004 she completed a one year position with the Virginia Symphony before moving to Birmingham. Rene has studied the Suzuki methods with Linda Steig at Capital University in Columbus, OH