Avi Friedlander, Cello, is the founder and director of STEP Birmingham. Mr. Friedlander currently teaches at both STEP Birmingham and the Alabama School of Fine Arts and formerly taught at Emory University. He received his Master’s and Bachelor’s of Music performance degrees from The University of Michigan, and pursued his professional studies degree from The Cleveland Institute of Music. Mr. Friedlander is the former Assistant Principal cellist of the Atlanta Opera and member of The New World Symphony. He has been trained in the Suzuki methods with Dr. Tanya Carey, Pam Devenport, Rick Mooney and Gilda Barston. Mr. Friedlander has also studied Early Child Development with Ed Sprunger, teaching group classes with Carey Beth Hockett, Ed Sprunger and Terry Durbin, Music Mind Games with Elizabeth Cunha and cello pedagogy with Irene Sharp. Mr. Friedlander has studied improvisation with Ellen Rowe at the University of Michigan, Eugene Friesen from the Berkely College of Music in Boston and Stephan Braun from Berlin . His primary teachers have included Anthony Elliott, Stephen Geber, Tanya Carey and David Premo. He has also studied with Richard Aaron, Eric Kim, Yehuda Hanani, David Premo and Hans Jensen. Mr. Friedlander has taught at workshops and festivals around the world and has performed and recorded music from classical to rock. Mr. Friedlander currently performs with Sunday Jazz Night and String Theory Birmingham and writes his own arrangements for solo cello and ensembles from Jimi Hendrix to Pearl Jam.
Troy Bast, Violin, currently performs regularly with the Alabama Symphony, the Chattanooga Symphony, the Huntsville Symphony, and the Mobile Symphony. He is the former assistant principal 2nd violin in both the Huntsville Symphony and the Chattanooga Symphony. He began his violin studies in Pennsylvania, where he was a student at Temple University Preparatory Division. Mr. Bast received his Bachelor of Music degree from New York University, and his Master of Music degree from The Peabody Conservatory of Music. His teachers have included Marie Griffith, Davyd Booth, Mark Steinberg, Shirley Givens and Laura Kobayashi. Mr. Bast received his training in the Suzuki methods with Edmund Sprunger at the Atlanta Suzuki Institute.
Danielle Dotson studied violin and piano with the Suzuki Method in Sydney, Australia, before being awarded the Associate Diploma and the Licentiate Diploma of Music through the Australian Music Examinations Board. As a student and performer on violin and piano, she has participated in international music events in Germany, Austria, Japan, New Zealand, the United States, Ireland, Italy and France.
Danielle has a a Masters degree in International Education from the George Washington University in Washington DC, and a Bachelor of Science degree from the University of New South Wales, Sydney. She received her initial teacher training with the Suzuki Talent Education Association of Australia in Sydney with supervision from Nada Brissenden (piano) and Patricia Moran (violin), and is continuing to broaden her experience with masterclasses and training sessions in the US.
She taught at the Levine School of Music in Washington DC for 5 years, and maintained an extensive piano and violin studio in the DC metro area from 2005-2016. Earlier she taught privately in Sydney, Australia before living in Japan from 1997-2002. She has served on the board of directors for the Suzuki Association of the Greater Washington Area (SAGWA) for 8 years, serving as treasurer from 2014-2016 and Board Chair from 2012-2014. She moved to Madison, Alabama, with her family in 2016.
Diana Dunn, Suzuki Early Childhood Education, enjoys a varied career in music that encompasses her love of performance and teaching. She is the Second Oboe and English Horn player with the Atlanta Opera and Ballet Orchestras and teaches private oboe lessons in Birmingham. She received a bachelor’s degree in music from the Eastman School of Music, where she studied with Richard Kilmer, and a master’s degree from Rice University’s Shephard School of Music, where she studied with Robert Atherholt. Diana is a registered Suzuki Early Childhood Education (ECE) teacher and received her training in London, Ontario from ECE founder Dorothy Jones and her daughter, Sharon Jones. For more information please visit Diana at her website, www.dianaoboe.com
Laura Usiskin, cello, has diverse musical interests spanning from early Baroque to 21st century music and solo to orchestral playing. Laura’s solo, chamber, and orchestral performing have taken her throughout the United States and Europe. In 2008 she received the Aldo Parisot prize at Yale University, given to gifted cellist showing promise in a solo career. Laura’s cello studies began at age five with Gilda Barston of the Music Institute of Chicago and continued with Richard Hirschl of the Chicago Symphony. She graduated from Columbia University cum laude with a Bachelor of Arts in Neuroscience and Behavior and from Juilliard School with a Master of Music in Cello Performance, where she studied with Fred Sherry. Laura studied with Aldo Parisot at Yale University’s School of Music, where in 2009 she finished her doctoral coursework. Laura did her Suzuki training with Jean Dexter, Pam Devenport, Nancy Hair and Sally Gross.
She shares her passion for the violin through teaching, coaching and outreach programs. While in Colorado, she conducted weekly sectionals with the Fairview High School Orchestra violin section, was a substitute mentor for the Greater Boulder Youth Orchestra, and served as a Teaching Assistant for the violin studio and the Musicians’ Wellness Initiative at CU. She is also a certified teacher with the Suzuki Association of the Americas, and received her training from William Starr in Boulder and Kimberley Meier-Sims in Cleveland. While in Omaha, she was a teacher at the Omaha Conservatory of Music as well as a lead instructor for the school’s “Violin Sprouts” program. She currently teaches at STEP Birmingham.
KahYee is very active in the performance community, and has performed as principal violinist for the Fort Collins Symphony Orchestra and as a member of the Des Moines Metro Opera, Boulder Chamber Orchestra and Cheyenne Symphony. She has been a substitute violinist for the Omaha Symphony, Colorado Symphony, New World Symphony and Boulder Philharmonic. She is currently a substitute with the Alabama Symphony.
KahYee travels extensively to perform, teach and to learn. She is an alumnus of renowned music festivals such as the Tanglewood Music Center, the National Repertory Orchestra, the ENCORE School for Strings, and the Meadowmount School of Music.
Melanie R. Rodgers, violist, violinist, music educator and music therapist, is a graduate of the University of Cincinnati College Conservatory of Music, with a degree in viola performance and music education.
Melanie’s career has been a blending of her passions; performing, teaching, and especially providing music as a means for therapeutic and spiritual purposes. As an orchestra musician, she performed in the viola sections of orchestras in the Northern and Southeastern United States including the West Virginia Symphony and her native Pittsburgh with The Pittsburgh Ballet and Opera Orchestra. Since moving to Birmingham in 1991, Melanie has been a substitute violist with The Alabama Symphony. For six seasons, she served as principle violist of The Huntsville Symphony, and through the years has contributed to the viola sections of the Chatanooga, Tuscaloosa, Gadsden, and Montgomery Symphonies.
Melanie’s thirty- five years of teaching experience ranges from private violin and viola instruction using Suzuki and Traditional methods to public and private school string classes of violin, viola and cello students. She enjoys presenting workshops in styles of fiddling; mostly Celtic and Bluegrass. During her seventeen years as faculty member of The Birmingham Southern Conservatory of Fine and Performing Arts, Melanie has taught music theory and pre- school( Moppets) music classes, and incorporated introductory violin classes into general music classes of several local schools. Her private teaching studio has included violin and viola students ranging from 4 years old to retirees learning to fiddle. Melanie considers working with students and their families as one of the true blessings and privileges of her life.
Merging lifelong interests of psychology and music’s powerful influence on human behavior, Melanie completed a two year course of study at the University of Alabama and became a board certified music therapist in 1999.
Living in Birmingham with her husband John and dog, Buddy, Melanie loves being part of this city’s vibrant musical community. This provides her the joyful opportunity of performing a wide range of musical styles with bands she loves including String Theory, Shades Mountain Air, Shelter in the Wreckage, local praise and worship bands, and Nouveau Reinhardt.
Meredith Treaster joined the viola section of Alabama Symphony Orchestra in December 2015. Originally from Santa Fe, New Mexico, she attended the Walnut Hill School for the Arts in Massachusetts as well as the New England Conservatory Preparatory School. At age sixteen, she performed Brahms Piano Quintet at Carnegie Hall with her quartet and renowned pianist Hae-Sun Paik. Since then, she has become equally devoted to her passions for chamber and contemporary music. She has given chamber concerts across the United States, recent highlights including the George Perle Centennial Celebration and the closing performance of Juilliard’s 2015 ChamberFest. An avid performer of new music, Meredith performed frequently as principal violist with AXIOM and the New Juilliard Ensemble. She has also premiered and recorded several new works in New York City and at the Aspen Music Festival. As a soloist with the New Juilliard Ensemble, Meredith was hailed by the New York Times as “soulful yet refined” and “appropriately rough and folksy” for her New York premiere of Donald Crockett’s to airy thinness beat at the Museum of Modern Art, and as “excellent” for her performance of John Woolrich’s Envoi in Alice Tully Hall. Meredith gave a repeat performance of Crockett’s work a year later with Musica Nova at the University of Missouri Kansas City.
Meredith was a Fellow at the Tanglewood Music Center in 2015, and has attended the Aspen Music Festival eight times, where she served as principal and mentor for the Aspen Concert and Philharmonic orchestras, and as a Fellowship recipient in the Aspen Chamber Symphony. Meredith was the event coordinator for the Weill Cornell Music and Medicine Initiative, organizing symposiums at Juilliard as well as hospital outreach performances for the terminally ill.
Meredith has been the principal violist of numerous orchestras including the Juilliard Orchestra, Juilliard Lab Orchestra, New Juilliard Ensemble, Aspen Concert Orchestra, and Aspen Philharmonic Orchestra, also serving as a substitute violist for the New World Symphony in Miami. She has performed regularly in venues including Alice Tully Hall, Avery Fisher Hall, Carnegie Hall, and Jordan Hall. Meredith received her Bachelor of Music and Master of Music degrees at Juilliard as a student of Misha Amory and Masao Kawasaki. She has taught viola classes in the NYC public schools and Success Academy charter schools, and substitute taught at Santa Fe Talent Education Suzuki Music Center.
Rene Reder, Viola and Violin, joined the Alabama Symphony in 2004. She was born and raised in Tacoma Washington, where she attended the University of Puget Sound, earning her Bachelor’s Degree in music. She then studied at Temple University in Philadelphia, receiving her Masters of Music Degree and Performance Diploma. Music has taken her to a handful of beautiful and interesting places including Colorado, Florida, Pennsylvania, South Carolina, Puerto Rico, Europe, Israel, and Argentina. In 2001, after three years in the New World Symphony, Rene won a position with the Florida Philharmonic Orchestra, where she played until 2003. In June 2004 she completed a one year position with the Virginia Symphony before moving to Birmingham. Rene has studied the Suzuki methods with Linda Steig at Capital University in Columbus, OH
Sarah Dennis, Violin, currently plays in the first violin section of the Alabama Symphony. Previously she was a member of the Hong Kong Philharmonic Orchestra and the Sarasota Opera. She also taught violin with the Opus 118 Harlem School of Music. Sarah holds a Bachelor of Music in Violin Performance from the University of Alabama, where she graduated Summa Cum Laude at age nineteen, and a Master of Music in Violin Performance from the Cleveland Institute of Music. She has performed collaboratively with members of the Berlin Philharmonic and in faculty recitals at both UA and CIM. She has also been soloist with the Tuscaloosa Symphony and National Repertory Orchestra. Sarah’s family has lived in Birmingham since 1990